Joachim Krebs

List of Works

WORKS by the Studio <SA/JO> Sabine Schäfer/Joachim Krebs

Artificial Soundscape No. 4 (1998/99) Electroacoustic sound composition
First broadcast in 2001 by DeutschlandRadio Berlin (DLR)

AquaAngelusVox (1997) A sound mandala on Hildegard von Bingen
Stereophonic CD production

Artificial Soundscape No. 3 (1996/97) Electroacoustic sound composition. First broadcast in 1997 by Hessischer Rundfunk (HR 2). First performance of the 8-channel version as a Space-soundInstallation with 8-limbed loudspeaker ensemble: Audio Art Festival Warsaw (P), 1999

Artificial Soundscape No. 2 (1996) Electroacoustic sound composition

First broadcast in 1997 by Saarländischer Rundfunk (SR 2),
First performance of the Space-soundInstallation: 1997 Akademie Bad Rotenfels

Artificial Soundscape No. 1 (1995) Electroacoustic sound composition, Commission by the Sender Freies Berlin (SFB)
First broadcast in 1995 by Sender Freies Berlin (SFB 3)
First performance of the 11-channel version for the Space-soundObject “Hörbild”:

SFB Sound Gallery Berlin, 1995

Artificial Soundscapes (1995-99) Development of a set of projects comprising electroacoustic sound compositions

Tableau I - III (1995) 11-channel Space-soundComposition for the 11-limbed Space-soundObject „Hörbild“ co-production with Sabine Schäfer
Commission by the Siemens Arts Program Munich
First performance 1995 Berlin Festival Weeks (D)

Klangtunnel (1995) 3-dimensional sound environment for a 12-limbed loudspeaker configuration. Commission by the KlangArten Vienna
First performance 1995 Das Innere Ohr - Festival of Contemporary Music Performance Linz
(A)

Seven Plateaus between Earth and Sky (1995) for trombone and harp, ca. 14´

eye-light-painting (1994) Electroacoustic sound composition for a multi-media-performance (same title) by Sibylle Wagner
First performance 1994 Media art festival "projections" Karlsruhe

Alien Lines and Fields (1993) for bass clarinet, violoncello und piano, ca. 19´

String Quartet No. 3 (1992) ca. 18´30´´

Doubles and Echoes (1991) for 11 instrumentalists and tape 2 fl (also: 2 picc + 2 treble rec) - 2 cl (also: bcl)- 2 tr - perc(1) - v - va - vc - cemb, ca. 21´
First performance 1993 Stuttgart

Rhizom II (1991) Version II for percussion and tape, ca. 26´
First performance 1991 Freiburg

Zwischenzonen - Zeichen - Szenen - Zustände (1990/91) for two dancers, video, speaker, singer, clarinet duo, violoncello duo and sample sounds, ca. 36´30´´
First performance 1991 "Multimediale 2" media art festival
by the Center for Art and Media Technology (ZKM) Karlsruhe

"...Rufer - auf Plateau..." (1990) for clarinet, bassett horn and bass clarinet, ca. 14´30´´
First performance 1990 Mannheim

All instrumental works from the period 1989 - 1978 have been published by Peermusic Hamburg / New York:

Offene Ringe – Sound sculpture for orchestra (1989) picc 2.3.3.2., contra bs - 4.3.3.1 – timp perc(3) - str, ca. 21´30´´
First performance 1991 Stuttgart

Coro dei Discepoli dal "Faust" di Goethe (1989) per coro e orchestra
2.2.2.bass cl .2 - 2.2.2 - timp - str - 4-part, mixed choir (S-A-T-B), ca. 11´

First performance 1989 Rome

"(und langsam schnitt ich mir meine Zeit aus Stille zusammen)"

Sketches on texts by R. D. Brinkmann (1989)

for 2 speakers and 13 instrumentalists Speakers(2)- fl/picc - cl/bcl - contra bs 2 hr - 2 trbn - perc(2) – v - va - vc – cemb, ca. 35'30"

Quartett (1989) for flute/piccolo flute, violin, clarinet/bass-clarinet and violoncello, ca. 21’

First performance 1989 Delmenhorst

Narrncartan mit Peripetie oder ein ganz gewöhnlicher Tag im Leben des grossen Gurglers

multi media project (1988) for speaker, rock band and live video performance, ca. 45'

First performance 1988 International Summer Courses for New Music, Darmstadt

Electronic Mandala - music-image-dance project (1988) for one dancer, video and synthesizer/sampler ca. 60´

First performance 1988 Karlsruhe

Brass Quintet No. 1 (1988) for 2 trumpets, horn and 2 trombones, ca. 21'

Cello Lines – Music for Violoncello Solo (1987) ca. 15'

First performance 1988 Berlin

Duo (1987) for violoncello and accordion ca. 17’

First performance 1987 Saarbrücken

Electronic Loops (1987) Electroacoustic sound composition

Music for Accordion (1986) ca. 12'30"

First performance 1986 Trossingen

Duo (1986) for two pianos, ca. 11'

First performance 1987 Heidelberg

Zwischenzonen – Electronical Sketches (1985) Electroacoustic sound composition

Slow-Mobile – for 15 instrumentalists (1985) fI/picc - ehr/ob - cl - bcl - 2 hr - bs - contra bs - hrp - perc(2) - v - va - vc - cemb, ca. 21´

First performance 1985 Karlsruhe

"......zusammenfließend singen wir die Gegenwart......" (1985) music for 2 clarinettists

ca. 17'

First performance 1985 Nuova Consonanza Rome

Music for Solo Double Bass and 8 Instrumentalists (1985)

solo cemb - fl/picc - cl/bcl - bs/contra bs - hr - perc(1) - v - va - vc, ca. 20'

First performance 1986 International Summer Courses for New Music, Darmstadt

String trio Nr. 1 (1984) ca. 19'

First performance 1984 Angers, France

Duo (1984) for percussion and piano, ca. 21'

First performance 1984 Stuttgart

String Quintet Nr. 1 (1983) 2 v - va - 2 vc, ca. 21'

Rhizom III (1983) for 3 identical instruments ad libitum ca. 12'

First performance 1983 Karlsruhe

"In Gedanken an den sterbenden Wald" (1983) 2nd orchestra piece of the cycle „Brennend erstarrte Augenblicke - Triptychon Epitaph für Orchester“ (1980-83), 3.3.3.3 - 4.3.3.1 - timp . perc(2) - p/cel.hrp - str, ca. 4'

Klangsplitter (1982) music for 4 solo violas, ca. 12'30"

First performance 1982 Stuttgart

Rhizom II (1982)
version I: six percussionists

version II: percussion and tape (1991)

ca. 26'

First performance version I 1985 Mannheim (1st part)

First performance version II 1991 Freiburg

"...in memoriam Rainer Werner Fassbinder..." (1982) 3rd orchestra piece of the cycle “Brennend erstarrte Augenblicke - Triptychon Epitaph für Orchester” (1980-83)

3.3.3.3 - 4.3.3.1 - timp . perc(2) - p/cel.hrp - str, ca. 10'00"

Traumkraut (1981) for alto, baritone and 15 instrumentalists on texts by Ivan Goll

fl/picc - ob - ehr - cl/bcl - bs - contra bs - 2 hr - perc(2) - 2 v - 2 vc, ca. 23'

First performance 1983 Donaueschingen Festival of New Music

Rhizom I (1981)

Version I: bass clarinet and tape

Version II: 9 bass clarinets

14'

First performance version I 1983 Melbourne

First performance version II 1982 Amsterdam

Wind quintet No. 1 (1980) ca. 16'

First performance 1997 Karlsruhe

"...in memoriam Rudi Dutschke..." (1980) 1st orchestra piece of the cycle “Brennend erstarrte Augenblicke - Triptychon Epitaph für Orchester” (1980-83), 3.3.3.3 - 4.3.3.1 - timp . perc- hrp-str, ca. 11'

First performance 1980 Hilchenbach

Music for Small Orchestra (1979) 1.1.1.1 - 1.1.1.0 - timp . perc(2) - p/cel - str, ca. 25'

First performance 1981 Cologne

String quartet No 2 - Quartettomanie (1979) ca. 26'

First performance 1982 Munich

"...tief Unten - traumversunken..." (1979) soliloquy for bass clarinet and string quartet

ca. 19'

First performance 1980 Amsterdam

Streichquartett Nr. 1 (1978) ca. 24'

First performance 1980 Freiburg

Projects in collaboration with the rock theatre band Checkpoint Charlie and Electroacoustic Music from 1978 to 1968 (selection):

Ein Tagebuch - Musik für Synthesizer (1978)

Frühling der Krüppel (1978) with the rock theatre band Checkpoint Charlie

LP (Schneeball Records 1978)

Blutsturz - Rockrevue (1977/78) with the rock theatre band Checkpoint Charlie

Traum (1977) for actor and tape

Electronical Music No 2 (1976)

Erklärung einiger Dinge (1977/78) for synthesizer, alto and speaker, text by P. Neruda

Körperreaktionen – Electronical Music No 1 (1973)

Notwehr – Rock Opera (1972) with the rock theatre band Checkpoint Charlie

Scheisse – Rock Operetta (1971) with the rock theatre band Checkpoint Charlie

Grüss Gott mit hellem Klang (1970) with the rock theatre band Checkpoint Charlie

LP (Schneeball Records 1970)

Musiken und Lieder (1968-78) for speaker and rock band on different texts by, e.g.,. Kupferberg, Ginsberg, Bukowski, Neruda, Borchert, Brinkmann a.o.